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Painting with Glass series

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Painting with Glass
Vol.1: Transformation

For the past 30 years, Narcissus Quagliata has helped push glass fusing into new territories and to new heights. During that time, he has dedicated himself to creating a new language for making art with glass, fusing his deep knowledge of watercolor with his mastery of kilnforming techniques. The result is a glass fusing grammar and syntax that allows for painting with glass itself.

Course Overview 

This 24-week course is a structured and immersive journey into Narcissus Quagliata’s unique approach to painting with glass. Through more than 40 carefully designed exercises, students learn how to transform molten glass into powerful imagery, developing both technical skill and artistic voice

The program combines hands-on practice with deeper exploration of process, material, and meaning. Students gain a clear understanding of kiln work, color, composition, and the essential principles behind this technique—along with insights and methods developed by Narcissus over decades of practice.

Why This Course Is Unique

Developed over 30 years of practice

Learn directly from a technique refined through decades of exploration and innovation in glass fusing.
A unique artistic language

Fusion of disciplines

Integrates the sensitivity of watercolor painting with the technical mastery of kilnforming. This is not just a method, but a complete visual language—combining grammar, syntax, and expression through glass.

Direct access to Narcissus’ process

Gain insight into the thinking, decisions, and philosophy behind each step of the work. Provides a foundation that can evolve into your own artistic voice and long-term practice.

Who This Course Is For?

  • Artists working with glass who want to go beyond technique and develop a personal visual language
  • Fused glass practitioners looking to deepen their understanding of kiln processes, color, and composition
  • Artists from other disciplines (painting, drawing, etc.) interested in translating their practice into glass
  • Intermediate to advanced makers seeking structure, direction, and a more intentional approach to their work
  • Anyone serious about exploring glass as a medium for image-making, not just object-making

Course Format

  • Self-paced learning: move through the content at your own rhythm
  • 6-month guided structure to support consistency and progress
  • 2 live sessions per month to review key concepts and exercises
  • Ongoing opportunity to reflect, ask questions, and deepen understanding
  • Balance between independent work and guided support

Schedule

Starts June 2026Join a 6-month guided experience with two live sessions per month.Full schedule coming soon — register to be the first to receive dates and access.

Your Instructors

About Helen Kovacs

Helen Kovacs is a Canadian glass artist with over forty years of experience exploring the expressive possibilities of glass. Born in Calgary, Alberta, to Hungarian immigrant parents, she discovered her passion for glass in 1985 and went on to graduate from the Alberta College of Art and Design. She founded Red Dog Glass Studio in 1997 and now specializes in kiln-formed glass and flameworking. Influenced by nature and the resilience of the human spirit, her work reflects a deeply personal connection to color, form, and storytelling. Helen recently completed a three-year study with renowned glass maestro Narcissus Quagliata and now mentors emerging glass artists as part of his team. Her work is held in collections including the Glass Museum in Biot, France, and the Alberta Craft Council.

About Kerry Transtrum 

Kerry Transtrum is a kiln-formed glass artist with over 40 years of experience exploring the expressive potential of glass. He has taught glass forming techniques at conferences, art schools, and studios throughout the United States and internationally. Kerry has studied multiple times at the prestigious Pilchuck Glass School and currently serves as a teaching coach with Narcissus Quagliata’s Painting with Glass Community. He is also a founding partner of Studio-de-Verre, an art glass studio and gallery in South Salt Lake City, Utah. Kerry is also the founding member and serves as the current scholarship chairman for the non-profit organization The Glass Art Guild of Utah. 

About Narcisus Quagliata

Narcissus Quagliata is internationally recognized as one of the most influential figures in contemporary architectural glass, particularly in the creation of large-scale glass domes. Over the past three decades, he has developed a distinct approach to glass, light, and structure that has expanded the expressive and architectural possibilities of the medium. His work is marked by a deep understanding of optics, material behavior, and the experiential role of light within architectural space, in public, ecclesiastical, commercial and residential settings. Among his most significant projects is the Dome of Light at Formosa Boulevard Station in Kaohsiung, Taiwan, one of the largest stained-glass installations in the world. He is also the artist behind the stained-glass dome at the Basilica of Santa Maria degli Angeli e dei Martiri in Rome, a project that brought a contemporary glass language into dialogue with one of the most historically relevant architectural Renaissance spaces in Europe. This course marks the first—and only—time he will share the full invention and realization of a dome project as it unfolds in real time.

Pricing 

One-time payment

$650
Access the complete 12-week course and 6-month guided experience

Flexible Payment

$250/mo
A more accessible way to join while receiving the full experience

This is where your work begins to change

Course Access & Continued Viewing 

Viewing All enrolled participants receive two years of access to the full course recordings and materials, starting from the conclusion of the course. 

This extended access period is designed to support thoughtful, long-term engagement with the material, allowing participants to revisit key moments, decisions, and discussions as the project unfolds and reaches completion. 

After the initial two-year access period, continued access to the course archive is available for $15 USD per month. 

Participants who are members of the Painting With Glass (PWG) community will continue to have access to the course recordings as part of their active community subscription, with no additional monthly fee. 

This approach allows us to keep the course tuition accessible while maintaining and supporting a living archive of a singular, time-bound project.

RECORDINGS & PARTICIPATION NOTICE

This course is delivered live and all sessions are recorded. By enrolling and participating, you acknowledge that your voice, image, and/or questions may appear in the course recordings.

These recordings may be edited, archived, and reused as part of the ongoing presentation and sale of NQ Teaching courses.

If you prefer not to appear on camera, you are welcome to participate with your camera off and submit questions via chat.

For any inquiries, please contact us at

contact@centroquagliata.com